Car bombs. Lost limbs. A strange man is gathering them up for something that is going to turn Baghdad upside down. When the body comes to life, each body part has an act to grind. What could be a slasher tale is an intricate examination of the human heart, war, and the roles everyone plays in revenge and peace. Structured with deference to the original, it is still fresh, reimagined, and just as horrifying and heartbreaking and culturally relevant. Winner of the International Prize for Arabic Fiction and longlisted for the Man Booker Prize, Ahmed Saadawi, a film director and writer, has reimagined a classic for our age, one that will be a touchstone for the discussion of Frankenstein for years to come.
Favorite quotations for discussion:
“…all the security incidents and tragedies we’re seeing stem from one thing—fear.” (P.123)
“They didn’t know anything about him, but they were driven by that latent hatred that can suddenly come to the surface when people meet someone who doesn’t fit in.” (P. 131)
“I was careful about the pieces of flesh that were used to repair my body. I made sure my assistants didn’t bring any flesh that was illegitimate—in other words, the flesh of criminals, but who’s to say how criminal someone is?” (P. 156)
“Anyone who puts on a crown, even as an experiment, will end up looking for a kingdom.” (P.181)
Liat and Himli meet in a New York City coffee shop. Liat is an Israeli on a Fulbright scholarship. Himli, a Palestinian, is an artist, wild in hair and spirit, and the two are instantly attracted. 
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