Frankenstein in Baghdad

Car bombs. Lost limbs. A strange man is gathering them up for something that is going to turn Baghdad upside down. When the body comes to life, each body part has an act to grind. What could be a slasher tale is an intricate examination of the human heart, war, and the roles everyone plays in revenge and peace. Structured with deference to the original, it is still fresh, reimagined, and just as horrifying and heartbreaking and culturally relevant. Winner of the International Prize for Arabic Fiction and longlisted for the Man Booker Prize, Ahmed Saadawi, a film director and writer, has reimagined a classic for our age, one that will be a touchstone for the discussion of Frankenstein for years to come.

Favorite quotations for discussion:

“…all the security incidents and tragedies we’re seeing stem from one thing—fear.” (P.123)

“They didn’t know anything about him, but they were driven by that latent hatred that can suddenly come to the surface when people meet someone who doesn’t fit in.” (P. 131)

“I was careful about the pieces of flesh that were used to repair my body. I made sure my assistants didn’t bring any flesh that was illegitimate—in other words, the flesh of criminals, but who’s to say how criminal someone is?” (P. 156)

“Anyone who puts on a crown, even as an experiment, will end up looking for a kingdom.” (P.181)

 

Forbidden Love

alltheriverscoverLiat and Himli meet in a New York City coffee shop. Liat is an Israeli on a Fulbright scholarship. Himli, a Palestinian, is an artist, wild in hair and spirit, and the two are instantly attracted.

As they grow closer, and as Liat’s visa comes closer to expiration, so does their relationship, for meeting back in Palestine or Israel seems as impossible as the fate that brought them together. When the unthinkable occurs, Liat is left to tell the story. Continue reading “Forbidden Love”

Family is Complicated

mothers tell your daughtersFor some the word mother is comfort. For some it is fear. For some it is heartbreak. For many of us it is all of those things at the same time and then some. In this searing collection of short stories, Bonnie Jo Campbell lets us into the lives of mothers, daughters, grandparents, sisters, husbands, kids and all the people who make up our modern families who are trying to survive as best they can. Taking an unflinching view at post-industrial America, Mothers, Tell Your Daughters is a collection of voices that will stay with you long after the story is over. Continue reading “Family is Complicated”

Mother Love, Daughter Duty

 

under the udala tress“There is no way to tell the story of what happened with Amina without first telling the story of Mama’s sending me off…if the sending away had not occurred, then I might never have met Amina. If I had not met Amina, who knows, there might be no story at all to tell.”

So begins the coming of age story of Ijeoma, a young girl at the end of the civil war in Nigeria. Although the war has ended, a new war is beginning, a quiet war but equally devastating, a war of generations and beliefs, the growing up and away and back again between daughter and mother and daughter becoming mother.

Ijeoma is placed as household help with another child of war, Amina.  Amina is Hausa. Ijeoma is Igbo. The are both girls. And they fall desperately in love. Their relationship will send shockwaves out into both girl’s futures.

In lush prose, Chinelo Okparanta takes an unflinching look at the lack of freedom of LGBTQIA people in Nigeria, set on the small but powerful stage of two unbreakable relationships, Ijeoma and her mother and Ijeoma and her identity. A story of politics. A story of love. A story of womanhood. A story of family.

Winner of the Lambda Literary Award, Okparanta, takes us to the heart of a family and the heart of a nation. Okparanta has also published work in The New Yorker, Granta, Tin House and many other publications.

Interview with Chinelo Okparanta, “Champion of Love”

Book Club Discussion Guide from Okparanta’s website.

Click to buy Indie.

 

It Looks Like This

itlookslikethisIt looks like desire. It looks like fear. It looks like life beginning. It looks like the end. It looks like love. It looks like heartbreak.

Mike has just moved to a new town. A new school. Freshman year. Mike meets someone. Mike falls in love. With a boy. Mike’s conservative parents can’t know. Mike’s world is about to turn upside down. In a tragedy worthy of Romeo and Juliet, young love and family strife are center stage.  A classic love story for our time. Whether you want the rush of young love, or the tears of that often come with it, this book is for you. Continue reading “It Looks Like This”

The Drug of Amnesia

the-angel-of-history“AIDS was a river with no bed that ran soundlessly and inexorably through my life, flooded everything, drowned all I knew, soaked my soul, but then a soaking, a drenching, was not dying, and I swam, floated when I could, and I though I had triumphed, only to discover years later that the river’s persistence, its restlessness, trickled into tiny rivulets that reach every remote corner of my being…” p. 182 Continue reading “The Drug of Amnesia”

Balancing on the Edge

eowyn-iveyEowyn Ivey’s new novel is a journey and adventure into the wilderness of Alaska and the depths of the human heart. When Sophie Forrester agrees to marry an army man in the 1800s she thinks she is going on his mapping expedition to Alaska with him. When she is told she will have to stay behind they are both devastated. Wife and husband will take separate journeys in an effort to explore the unknown while trying to find their way back to each other.

Sophie and Allen are introduced to us through their own journals and letters of descendants who want to make sure their story is preserved for history. The relationship between the relative and the museum curator, husband and wife, army captain and team, and Alaskan explorers and First Peoples are mixed together with historical excerpts from books, photographs, and artifact descriptions. This novel is a museum within two covers of a particular time and place, and the heartaches and struggles that transcend both. Continue reading “Balancing on the Edge”